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"Will you complete your lading by the date announced for your sailing?",

His mind was full of his son as he sat this[Pg 53] day at his dinner, which was put every afternoon punctually at half-past one upon the table whether Mr Lawrence was at home or whether he was not. The window at which the Admiral was wont of a pleasant evening to sit with his pipe was open; the room was small, with a low ceiling, but one should say a very dream of comfort to a nautical man. Its walls were embellished with pictures of sea-fights, of frigates engaging forts, of encounters between line-of-battle ships. A handsome telescope, a gift for some deed of valour, lay in brackets over the small, richly-carved sideboard.,

"'I'll give you five dollars if you'll catch them weasels that are killin' my chickens,' he says.,

"She has ripped up her mattress and is throwing the inside of it round about her!" Mr Lawrence frowned, pursed his lip, and[Pg 297] stared upon the deck with a strange admixture of gloom and anger.

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This interior presented a very inhospitable look; its rough-hewn bunks might have been intended for the accommodation of prisoners. The deck was without carpet. Indeed the only colour or warmth which this melancholy hole presented to the eye or the mind was to be found in such wearing apparel as swung from hooks, in Mr Lawrence's sea-chest, in the nautical instruments, in the shelves with their little burden of tin box, a few books, and so forth.,

The scene of the quay-side was gay and indeed festive. The few ships had hoisted colours in celebration of the Aurora's arrival, and the large flags of those days streaming from mast-head and gaff-end and ensign-staff and jack-staff combined with the brilliant blue of the sky, the light and lovely greenery of spring that clothed the ravine's slopes, the sober hue of the cliffs, the white shape of the squab lighthouse past which some gulls[Pg 90] were wheeling, the chocolate tint of the revolving windmill, the sober grey of the houses and the diamond sparkle of the river with its softened reflection of bridge and banks streaming into its heart in dreamlike shadow of what was mirrored: this combination, I say, coupled with the motions and colours of human life on the quay-side, albeit the beer hour had struck and the picture owed nothing of animation to the workmen, fascinated the eye with the calm, the freshness, and the glory of a little English sea-piece, Sabbath-like in repose, lighted by the sun of April beaming in a perfectly fair heaven.,

"There's the old Canopus!" cried the Admiral. "Lord, what a shivering [Pg 398]recollection I have of her main topmast cross-trees!",

Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.